Sunday, February 15, 2009

Amelie

Jean-Pierre Jeunet's Amelie is a very entertaining, yet odd movie. This movie was filled with beautiful color, wonderful music, and very interesting characters, however, I had a difficult time following this movie. I felt that if I watched it again I would catch a lot of things that I missed. As I said, Amelie is a very entertaining movie with a lot of humor and the strangest things happening.

The audience finds out right away that Amelie is a very unique young girl. With fun music in the background, Amelie is shown making strange faces and doing very odd things to show her personality. Facial expressions are very important in Amelie, especially for those of us who do not speak French.

I had to giggle every time the narrator described a new character. It wasn't just the basics, it was every little flaw or weird fact about a person. This movie is very specific in explanations. After hearing what each character hates or loves, I realized that we all dislike it when something out of the ordinary happens, but it's life and we just don't notice those kinds of things. For example, the narrator said "she doesn't like to have her fingers all wrinkled by hot water" when explaining the character of Amelie's mother. I hate that too but never thought of it to be too big of a deal!

The way the director brought objects to life to become involved in the plot was very unique and entertaining. It added to the "weird" aspects of the film.

I felt that color was very important in Amelie. The whole movie color scheme seemed to be based on green, yellow, and red. I noticed that Amelie (Audrey Tautou) was mainly wearing red throughout the entire film from a pretty red dress to a nice red cardigan. Red is a very warm and passionate color. I think that Amelie wore red because of her search for love. Amelie wore green after she was misinformed about her friend going off with the man of her dreams, Nino (Mathieu Kassovitz). Green itself isn't important, perhaps, but the fact that she switched from red to another color.

Amelie seemed to have a very sad childhood with her mother dying and her father being very different, especially after his wife died. Amelie broke free when she left her childhood home to seek happiness in Paris. I was able to tell that Amelie was a very caring person. She was trying to find happiness in helping others. For instance, when Amelie found that box of mementos which belonged to someone who lived in her apartment a long time ago, she wanted to find him right away and return it to him. When she did find him, she didn't personally give it to him. The box was left in a phone booth for him to find. This goes to show that Amelie didn't want to take credit for his happiness, she simply wanted to bring back his childhood to him. Amelie was very interested in other people's lives, sometimes too interested.

I noticed that Amelie became very easily interested in different things. Amelie was especially curious about the bald man whose picture was in Nino's book multiple times. At first thinking he was dead and was afraid of being forgotten, she began to research and ended up finding out he was just a repair man doing his job.

I laughed so much during this movie. I especially enjoyed the scenes when Amelie fooled her neighbor by misplacing his items. Amelie is very unique in that she notices every small difference. When the camera zoomed in on her father's gnome, it showed her noticing a slug crawling on it.

Amelie discovered the man of her dreams one day at the photo booth. Immediately her heart started racing which brought back us back to Amelie's reaching out for her father's love, but the closest thing she got to that was a monthly medical check-up. Amelie was longing for any type of love. This was her second chance!

I immediately like Nino. He was a very good looking and interesting character, someone who I thought would be perfect for Amelie. It was easy to see that Amelie was very hesitant to speak to Nino. Amelie ends up playing games with Nino after he had lost his books of pictures. I could tell that Nino was very interested in who this "mystery woman" was, especially when he put up signs for her. I became so frustrated when Nino arrived at the cafe Amelie worked at and she wouldn't introduce herself!

I think that Amelie finally realized that providing happiness for others did not make her truly happy. In the end, Amelie found out that Nino was what she had needed all along after her neighbor emphasized that she needed to go after Nino and that she'd be crazy to let him go this time. I believe that the message of this story is that you cannot live your life through fantasies, you need to find something real for your happiness.

While Amelie is a comedy, she did triumph over adversity and work her way to a happy ending after a long search.

Friday, February 6, 2009

American Beauty and The Ninth Gate

In Sam Mendes' American Beauty, the primary setting is the Burnham suburban home, where all of the family characters' misery is centered. From the opening scene with Lester Burnham (Kevin Spacey) narrating, we know that the neighborhood is his life as unfulfilled as it is.

Setting is also very important in Roman Polanski's
The Ninth Gate. Like American Beauty, this film was produced in 1999. From the opening sequence, it is clear that books, and one book in particular, are central to this story. Opening in a library with camera angles and lighting that emphasize the beautiful old leather volumes, we are shown that one book is missing, which obviously is connected to the fact that the character, Andrew Telfer (Willy Holt), is committing suicide. While American Beauty uses the artificial setting of suburban America to create the atmosphere, Polanski uses the richness of old books combined with the city landscapes of New York City and European destinations to add to the mystery of The Ninth Gate.

American Beauty was shot almost entirely in the suburban setting to better reveal all of the characters and their individual disappointments in life. In spite of the perfectly trimmed lawns and beautiful homes it is obvious that these do not bring happiness to the characters in the film. The primary message that I felt was revealed in this film is that money and success cannot buy happiness. The effective use of the home and neighborhood helped emphasize that point.

In
The Ninth Gate, the settings were chosen obviously to enhance the mysterious nature of the story with its satanic theme. The use of large libraries filled with rare books centered on the devil, combined with exotic locations in Spain, Portugal and France create an atmosphere that adds to the intensity of the film.

The art director's choice of clothing in
American Beauty says a lot about each individual character. Lester and his wife, Carolyn Burnham (Annette Bening), both wore the standard business attire that would be expected of them for their occupations while others tried to show more on their individuality through their clothing. Jane (Thora Birch), the daughter of Lester and Carolyn, showed a sense of rebellion through her clothing. She usually wore dark clothing with dark make-up to contrast with her "perfect" surroundings.

The Ninth Gate uses trendy, fashionable styles of 1999 with most of its characters. The majority of characters, being European, are wearing stylish clothing of that time. "The girl" (Emmanuelle Seigner) who curiously shows up wherever Dean Corso (Johnny Depp) went is a contrast to the other characters in that she is plainly dressed in casual jeans, tennis shoes, jacket and sweater. An interesting aspect of the film was its focus on the feet of characters. Right away in the beginning we see Andrew Telfer's expensive slippers wiggling as he is hanging himself. Later, we see unknown feet in a window followed by "the girl's" tennis shoes, which had been shown to us in an earlier scene. Polanski uses this character's feet to remind us that she is always around Corso.

I felt that
American Beauty used bright lighting to emphasize the "perfect" lifestyle that is really all for show rather than actual happiness. The bright lighting is as direct as Lester's statement to his neighbor, Col. Frank Fitts (Chris Cooper) "Nope, our marriage is just for show. A commercial, for how normal we are. When we are anything but." The lighting shifts dramatically to a softer, more diffused look during Lester's moments of fantasy involving Angela Hayes (Mena Suvari). I believe that this is showing the contrast between the artificial world he lives in and the imaginary world that he fantasizes.

The lighting in
The Ninth Gate is also very appropriate with shifts between bright and darker scenes to match the mystery that is unfolding. From the opening scene, the lighting brings out the books on the shelves. During periods of dialogue, it seemed that the new character being introduced was more prominently lit. Lighting was especially effective in the transition to day to night throughout the film. In both American Beauty and The Ninth Gate the director uses lighting to set the tone very effectively.

David Freeman's
article Why 'American Beauty' Works: Focus on the Use of Symbols stresses the importance of color in American Beauty. He points out that red is the dominant color used to indicate a variety of emotions throughout the film. For example, when Lester buys the car of his dreams, it is bright red, which shows his side of rebellion. The article also included that one of the scenes with Carolyn in the kitchen showed a red oven pad which was "her soul hanging on the wall". Red is a dramatic color and Freeman tells how it was used for "dramatic" effect in the film.

Polanski also uses red in creative ways throughout
The Ninth Gate, however the purpose is far different. With the devil as the central theme of this film, red, especially fire, is used effectively to create an atmosphere that could make a person feel his (the devil's) presence. Blood red lipstick on the evil Liana Telfer (Lena Olin) and the actual blood from "the girl's" bloody nose are especially effective.

I felt that both films were very stylish and artistic, with excellent use of lighting and color, which made them both enjoyable to watch.

Friday, January 30, 2009

Good Will Hunting

I absolutely loved 1997's Good Will Hunting. It was excellent! The fact that actors Ben Affleck and Matt Damon wrote this movie's screenplay while they were in college makes it even better! This movie made a person think. I tend to not follow movies very well, maybe because I'm sometimes not interested, but this movie intrigued me.

The article
Holden Caulfield, Alex Portnoy and Good Will Hunting: Coming of Age in American Films and Novels by Lawrence E. Ziewacz discussed how this movie began. It read "Written by co-stars Matt Damon and Ben Affleck- actually begun as a 50 page script by Damon for a screen-writing class at Harvard- he had two semesters to go for his degree- it grippingly details the struggle of Will Hunting, a foster home orphan in South Boston, to discover how to orient himself into the adult world and how to maximize his immense intellectual talent- he is a genius- in the real world." I find it wonderful that this screenplay was done by two college students. It shows what a person can do if they put their mind to something. The article goes on to explain the type of life that Will Hunting (Matt Damon) has lived. I felt that his friends brought a lot of humor to this movie, especially Morgan (Casey Affleck) and Chuckie (Ben Affleck).

I felt this movie was about a very strong, intelligent young man trying to find his way in life. Will Hunting had an extremely difficult childhood. Will also was a genius mainly in mathematics but had an interest in everyone. Even with this amazing ability of his, Will was content with being a janitor and hanging out with his friends every night. I know if I was a genius, I'd be rich, that's for sure!

The article
Too smart for their own good? by Patrick McCormick discussed a few different movies with "geniuses" including A Beautiful Mind, Rain Man, and Good Will Hunting. It read "Matt Damon's genius janitor in Good Will Hunting can humiliate MIT professors, but he's about as grown up as the average schoolyard bully." The article discussed how some genius's maybe didn't have the best childhood. The article also read "You get the sense that somebody stole their childhood, or at least all their recess periods. Maybe they could do algorithms at 4, but nobody ever taught them to color or play marbles." I believe these thoughts relate to Will in Good Will Hunting quite nicely. I think that Will became interested in books, math, and other things because of the type of childhood he had.

Will's unique adventure began when Professor Gerald
Lambeau started his search for the "mystery math magician" (Will Hunting). I felt that the professor did a great thing by bailing Will out of jail. It was easy to tell that Professor Lambeau saw Will's potential. However, he also saw Will wouldn't be very easy to get through to.

It was humorous to see Will's great sense of sarcasm show in every single one of appointments with psychologists. Will was stubborn and knew he didn't need a shrink to help him. Professor
Lambeau made the right move when he decided to invite his old college buddy, Sean Maguire (Robin Williams), into the situation.

I felt that Robin Williams played his part very, very well in this movie. It was easy to see that Sean's plan was to just get Will to talk. I don't think Sean even cared what Will talked about, he just wanted to listen and see what happened from there. It was easy to see that Will hit a nerve when he mentioned that maybe Sean married the wrong woman. I was very well convinced that Sean had been deeply in love with his wife who passed away a few years before. During Will and Sean's laughing session about how Sean's wife used to fart in her sleep made me smile so hard! Sean said that those are the things he is so glad he remembers about his wife. The way he talked about his wife made me want to have a husband like him someday!

I really enjoyed the music in this movie. I also really liked certain scenes that I felt the filming was excellent. The scene when Will was looking out the window on the bus especially impressed me. I also liked that even when one person was in a room, the whole room was scanned so we could get every detail.

I really liked the scene when Sean took Will to the park. Sean spoke about love, marriage, and life in general. I could see that Sean really got through to Will as he told him about experiencing life. He explained that Will reads books upon books about everything, but hasn't really experienced those things. You could see in Will's eyes that he was starting to understand. I was glad to hear Sean scold Will for thinking he knew Sean by looking at a picture.

It was nice to see that Will wanted to go to his sessions with Sean. During this time, Will had found a nice young lady, Skylar (Minnie Driver). Will had explained to Sean that he didn't want to ruin the idea of this "perfect" girl he has met by hanging out with her too much and taking things to the next level. I agreed with Sean when he said no one is perfect. Our imperfections are what make us special. Sean told Will that the question is whether Will and Skylar are perfect for each other, not if they are individually perfect.

I could tell that Will's childhood had a part in his inability to commit to Skylar. I imagine it is very hard for those with difficult childhood's to put there heart out there for someone else to take in. Will seemed so happy when he was with Skylar. When Will told Skylar about his scars and his childhood in their argument I could see how much Skylar really cared for him. She didn't act frightened while he was yelling, she emphasized how much she wanted to be a part of his future. I cried when Will told Skylar he didn't love her. I knew he was lying.

I believe that the professor really wanted Will to have a great future, but he pushed too hard. Will wasn't ready for those meetings that Professor
Lambeau set up for him. He needed to figure out what he really wanted to do. That is why I felt Sean was so important in helping Will. He wanted Will to be ready before he made any big decisions.

What I loved most about
Good Will Hunting was that Sean sought to help Will, and Will ended up helping Sean as well. Will wasn't just Sean's client, he became a friend. I noticed that Sean called Will "sport" throughout the whole movie. When Will left his last appointment with Sean, Sean called him "son". I could tell Will felt loved for once in his life.

In the end, Will decided on his own what he wanted to do for himself. He fooled both Sean and the audience by going to a job interview and telling Sean about his boss. I loved it when Will left Sean a note saying he had to go about to see a girl. I really didn't think he would go back to Skylar! But I'm glad he did.

I think my favorite part of the movie was when
Chuckie went to Will's house and for once Will wasn't home. That is what Chuckie had been waiting for.

Sunday, January 25, 2009

On the Waterfront

I really enjoyed Elia Kazan's On the Waterfront. This movie kept me at the tip of my chair it's whole length of 108 minutes.

The article Arthur Miller's Proletariat: The True Stories of On the Waterfront, Pietro Panto, and Vicenzo Longhi by Stephen Schwartz read "On the Waterfront is very possibly the greatest labor film ever made in America." I would have to agree. I felt that it was a very good black and white movie. It had action, romance, comedic value, and suspense. This movie's screenplay was by Budd Schulberg. The article included that this movie seemed more like a documentary than a dramatic motion picture. It also read that Schulberg had spent two years with the real labor priest, Father Corridan. Schulberg wrote an article for The New York Times in 1952 that discussed the life on the West Side docks. The article also compared On the Waterfront with The Hook. It read "On the Waterfront draws a sharp line between good people and evil people, while The Hook confuses the difference." I agree. On the Waterfront showed how a person can go from not having very much to a lot from doing the right thing. This movie had some very bad people in it. I'm glad Terry didn't get stuck in the mob.

I liked the action of the movie but I especially enjoyed the romance between Edie Doyle (Eva Marie Saint) and Terry
Malloy (Marlon Brando). Edie and Terry's relationship reminded me of the 1978 movie Grease with Danny Zuko (John Travolta) and Sandy Olsson (Olivia Newton-John). Terry and Danny are the bad boys who get a hold of the sweet and innocent girls. Both boys act really tough around their buddies, but when they are with their ladies, they can't help but to show their sensitive sides. The article On the Waterfront by Phillip Lopate described Terry as "the sensitive, inarticulate, darkly frowning star" and Edie as "translucent, powder-white, like a Kabuki lioness." Terry once stated in the movie that Edie was the best thing that has happened to him.

The fact that Terry met Edie during the time period of her brother's death was nice so that she had someone to keep her going, however unfortunate once Edie found out that Terry had a part in the murder. The scene when Terry told Edie about what
really happened when her brother died was very hard to watch, but I knew he was doing the right thing. I felt that the sound of the waterfront drowning the dialogue of Edie and Terry was very suspenseful and made the situation even more sad to watch.

The article
On the Waterfront spoke about this movie and read "it hasn't a moment of relaxed breathing." I agree. I was interested the whole movie.

I had to giggle when Terry busted down Edie's door to speak with her. It was quite humorous when Terry "shut Edie up" with a kiss. However, it showed she had a true passion for him. I enjoyed the scene early in the movie when Terry asked Edie "Will I ever see you again?" Edie replied with "What for?" It was easy to see that Edie was hesitant to spend time with a boy who had such a reputation.

I felt that the music in the movie was very good. It was fairly easy to tell when something bad or sad was going to happen because of the music approaching the scene. Music adds a lot to a movie and it was very noticeable to me in
On the Waterfront.

I thought that the priest (Karl Malden) played a very important role in this movie
. Every time someone was killed he got very upset and wanted to find justice. He emphasized the whole movie on how ridiculous it was for everyone to be covering for those who were killing. The priest was the one who convinced Terry to do the right thing with Edie and with the public so that Johnny Friendly (Lee. J Cobb) would be punished for what he had done.

The scene when Terry found his brother, Charlie, was very emotional. At that point I think Terry had realized that the whole situation had gone too far and he needed to do something about it. It scared me when he left and told Edie to stay where she was. I really didn't want him to hurt anyone. I was rooting for him to tell the truth in court. I was thrilled when he did!

I was very upset to see that the young boy on the rooftop had killed all of the pigeons. I could tell it broke Terry's heart. The pigeons were very important to Terry and Edie's brother before he died.

Of course the best part of the movie was the ending. I felt the end was magnificent. After Terry had been beaten, he got up with the help of his friends and showed how strong he was. The priest helped him do it on his own by yelling "Take your hands off!" and "Leave him alone!" as he was walking.

"All right, let's go to work!" was said by the boss when Terry finished his walk and everyone cheered.

Thursday, January 8, 2009

Casablanca

The article Playing It Again and Again by Kathy Merlock Jackson reads "Casablanca has captured the popular imagination in a way that no other movie--with the possible exception of Gone with the Wind or The Wizard of Oz--ever has." I am going to have to agree with the exception of The Wizard of Oz, which happens to be at the top of my list. Nevertheless, Casablanca seemed to be a pretty good movie for it's time. 

I felt the actors and actresses chosen were perfect for their parts in this movie. Ingrid Bergman as Ilsa Lund was a beauty. I saw loneliness in her eyes during a few scenes. I'm guessing that loneliness was Rick Blain (Humphrey Bogart). It was so sad to see Ilsa married to a man that she could never completely give her heart to, because of Rick. My favorite character was Sam (Dooley Wilson). He seemed to be so nervous, especially around Ilsa. You could definitely tell he was quite protective over his buddy Rick. 

The line "We'll always have Paris", said by Rick to Ilsa, put a smile to my face. He knew he had to let Ilsa go, but wanted her to know they shared something special. This is a line I have heard in a few different movies. There were other lines in the movie that I recognized from other movies and every day conversations.

The article Playing It Again and Again talked about why this movie was so important to the American people after the start of World War II. The article read "Released a year after the United States entered World War II, it was one of the approximately 500 films appearing between 1942 and 1945 that addressed war subjects. It was designed to strengthen support for the Allies and, particularly, America's involvement in the war." I can't imagine what it would be like living in America during World War II. This love story must have been a refreshing change from the typical war movies at the time.

Most of the movie was pretty clear to me, however, it took me a while to catch on to the flash back to Ilsa and Rick's romantic time in Paris. I really liked the scenes in Rick's Cafe, with Sam playing the piano and everyone having a good time. I also enjoyed the scene with Rick helping the young couple win some money. Even though Rick came across as a tough guy, this showed his caring side.

It was my first time seeing Casablanca. I think if I saw it again I would find more good and bad things within the movie. Overall, I enjoyed watching it.